Maranao is the term used for the people of Lanao, a predominantly Muslim region in the Philippine island of Mindanao.
They are famous for their artworks, sophisticated weaving, wood and metal craft, and their epic literature.
The word Maranao, also spelled Maranaw, means "People of the Lake", referring to the indigenous people who inhabited the lands around Lake Lanao whose principal town is Marawi City.
Maranaos are the tenth largest Filipino ethnic group. The Maranaos primarily live in the provinces of Lanao del Sur and Lanao del Norte, and many are settlers in zamboanga del Sur, Bukidnon, Cotabato, Maguindanao and in many southern Philippine islands from Basilan exending to Tawi-Tawi. Small communities of Maranaos, mostly traders, can be found in all major towns of the Philippines.
Maranaos number about 1,142,000. They are the descendants of Muslim Malays who came to the Philippines. Their royals have varied influsions of Arabic, Malayan, Indonesian, as well as Chinese blood.
The Maranaos also are one of the ethnic groups in the Philippines who are fair-skinned, probably attributable to Arab and Chinese admixtures.
The language of the Maranao people is also called Maranao. It is a language spoken by approximately 800,000 people living in areas near Lanao del Sur and Lanao del Norte. The language can be traced from the Southern Philippine sub-branch of the Western Austronesian language family, and is closely related to the Illanun language spoken in Sabah and Malaysia. It is also close to Maguindanaon, the language spoken in Maguindanao, North Cotabato, South Cotabato, Sultan Kudarat, and Zamboanga del Sur provinces.
The vast majority of Maranaos are Muslims. A few, especially those living in the hills around Lake Lanao practice Islam diluted with traces of pre-Islamic traditions.
The native Maranao has a fascinating culture that revolves around the kulintang music, a specific type of gong music, found among both Muslim and non-Muslim groups of the Southern Philippines.
In 2005, the Darangen Epic of the Maranao people of Lake Lanao was selected by UNESCO as a Masterpiece of teh Oral and Intangible Heritage of Humanity. (wiki)
Thursday, October 19, 2006
Sunday, October 08, 2006
Buklog Festival
The Buklog is one of the religious rituals and ceremonies held in Zamboanga del Sur by the Subanens, a group that derives its name from suba (river) because of a preference to settle near rivers and mountain streams.
For centuries, the Subanen have held staunchly to this ancient ritual to honor the spirits, particularly the malengma (spirit of the waters), mamanwa (spirit of the forest), and manising palingkitan (spirits of the mountain), on which they rely for an abundant harvest and protection from misfortune. This is held regularly to reaffirmed the community's profound gratitude for the continuous blessings.
The Buklog, which also stands for ceremonial platform, is a thanksgiving festival of the Subanen. The buklog is erected using eight sturdy tanguile and white lauan trunks as foundation. It stands eight to 10 feet high using wooden trunks 10 to 18 feet long. With the foundation in place, the workers place wood trunks side by side to form a platform. They worked one or two chanting prayers as they haul one trunk after another. The chanting is performed to ward off evil spirits. The platform has to be strong enough to bear the weight of the festival's participants but at the same time pliable to move up and down without breaking. In the middle of the platform, a pole is inserted and set right above a hollow log three meters long, which is laid horizontally on the ground beneath the structure. The intention is for the pole to strike the log and produce a resonating sound.
The festival requires months of preparation and entails a large amount of money for the purchase of more than a dozen chickens, five hogs, and 10 sacks of rice as offering to the spirits.
An announcement of an upcoming Buklog is made weeks earlier through the continuous sounding of the agung or gagong. The rhythmic booming of the gong located atop a hill can reach settlements hundreds of kilometers away.
On the day of the festival, households would then travel by foot along mountain trails until they reach the venue of the festival.
Three days before the festival, community elders perform a ritual invoking permission from the spirits to gather the materials needed for the festival. Trees like white lauan, baktikan, bagasuso, babalud and tanguile are used to construct the buklog.
A day before the festival, another ritual, the Gempang, is held near the bank of a stream. This is a water ritual held to appease the spirits and protect the community and their land from any ills.
As part of the ritual, a pig is slaughtered near the waterline and its blood is taken downstream. This is symbolic that any bad omen had been thrown away. Then, the pig is roasted without salt and its meat cut into pieces as an offering. Two young chickens are also killed to please the gods.
The Subanens also believe in drawing up a boundary to prevent evil spirits from entering their territory. A thin branch is tied between two posts to indicate that boundary. The branch is hung with strips of folded palm leaves and a chunk of pork.
Holding bunches of folded palm leaves, the chieftain performs a dance ritual around the area. He then dips the leaves in the stream and directs it towards the people as an act of blessing and protection.
The dance ritual is done simultaneously with an assistant trailing him, burning incense and sounding a porcelain bowl with a stick made of fragrant wood. The incense is said to invoke the good spirits and the tinkling sound of the bowl, to guide the spirits towards their direction.
This sequence is done seven times in a counter-clockwise movement around the area and back again seven times clockwise to seal the circle. The ritual progressed with the sound of the agung in the background. (TMT)
For centuries, the Subanen have held staunchly to this ancient ritual to honor the spirits, particularly the malengma (spirit of the waters), mamanwa (spirit of the forest), and manising palingkitan (spirits of the mountain), on which they rely for an abundant harvest and protection from misfortune. This is held regularly to reaffirmed the community's profound gratitude for the continuous blessings.
The Buklog, which also stands for ceremonial platform, is a thanksgiving festival of the Subanen. The buklog is erected using eight sturdy tanguile and white lauan trunks as foundation. It stands eight to 10 feet high using wooden trunks 10 to 18 feet long. With the foundation in place, the workers place wood trunks side by side to form a platform. They worked one or two chanting prayers as they haul one trunk after another. The chanting is performed to ward off evil spirits. The platform has to be strong enough to bear the weight of the festival's participants but at the same time pliable to move up and down without breaking. In the middle of the platform, a pole is inserted and set right above a hollow log three meters long, which is laid horizontally on the ground beneath the structure. The intention is for the pole to strike the log and produce a resonating sound.
The festival requires months of preparation and entails a large amount of money for the purchase of more than a dozen chickens, five hogs, and 10 sacks of rice as offering to the spirits.
An announcement of an upcoming Buklog is made weeks earlier through the continuous sounding of the agung or gagong. The rhythmic booming of the gong located atop a hill can reach settlements hundreds of kilometers away.
On the day of the festival, households would then travel by foot along mountain trails until they reach the venue of the festival.
Three days before the festival, community elders perform a ritual invoking permission from the spirits to gather the materials needed for the festival. Trees like white lauan, baktikan, bagasuso, babalud and tanguile are used to construct the buklog.
A day before the festival, another ritual, the Gempang, is held near the bank of a stream. This is a water ritual held to appease the spirits and protect the community and their land from any ills.
As part of the ritual, a pig is slaughtered near the waterline and its blood is taken downstream. This is symbolic that any bad omen had been thrown away. Then, the pig is roasted without salt and its meat cut into pieces as an offering. Two young chickens are also killed to please the gods.
The Subanens also believe in drawing up a boundary to prevent evil spirits from entering their territory. A thin branch is tied between two posts to indicate that boundary. The branch is hung with strips of folded palm leaves and a chunk of pork.
Holding bunches of folded palm leaves, the chieftain performs a dance ritual around the area. He then dips the leaves in the stream and directs it towards the people as an act of blessing and protection.
The dance ritual is done simultaneously with an assistant trailing him, burning incense and sounding a porcelain bowl with a stick made of fragrant wood. The incense is said to invoke the good spirits and the tinkling sound of the bowl, to guide the spirits towards their direction.
This sequence is done seven times in a counter-clockwise movement around the area and back again seven times clockwise to seal the circle. The ritual progressed with the sound of the agung in the background. (TMT)
Wednesday, October 04, 2006
Chocolate Hills
Considered one of the wonders of the natural world, the legendary Chocolate Hills has more than a thousand cone-shape hills which turn green during rainy season and brown during summer.
Located in the town of Carmen, 55 kilometers from Tagbilaran City, the Chocolate Hills are undoubtedly the most famous tourist attraction in Bohol. Among the 1,268 perfectly cone-shaped hills, which abound in Central Bohol, two have been developed into a resort.
On top of these hills is a complex that offers accommodation, conference rooms, restaurants, and a view deck. The Chocolate Hills is an unusual geological formation in the island province of Bohol in the Philippines.
The hills are scattered throughout the municipalities of Carmen, Batuan and Sagbayan. What makes them intriguing is their mostly uniform molehill shape and size ranging from 30 to 50 meters high. The hills are covered in green grass that turns brown during the dry season, giving the hills their name.
A popular local myth for the hills' origin states that two giants fought with stones and sand against each other over a period of several days. A more romantic tale is that of Arogo, a strong and young giant who fell in love with Aloya, a mortal girl. She died within the palm of the giant's hand and the tears that fell supposedly turned into the hills.
Up to this day, geologists have not reached concensus on how they where formed. The most commonly accept theory is that they are the weathered formations of a kind of marine limestone on top of a impermeable layer of clay.
In 1988, the government of the Philippines declared the Chocolate Hills a National Geological Monument. Currently two hills have been developed for tourism, one in Carmen, the very interior of Bohol, and the more recent one in Sagbayan, known as Sagbayan Peak. (DOT)
Located in the town of Carmen, 55 kilometers from Tagbilaran City, the Chocolate Hills are undoubtedly the most famous tourist attraction in Bohol. Among the 1,268 perfectly cone-shaped hills, which abound in Central Bohol, two have been developed into a resort.On top of these hills is a complex that offers accommodation, conference rooms, restaurants, and a view deck. The Chocolate Hills is an unusual geological formation in the island province of Bohol in the Philippines.
The hills are scattered throughout the municipalities of Carmen, Batuan and Sagbayan. What makes them intriguing is their mostly uniform molehill shape and size ranging from 30 to 50 meters high. The hills are covered in green grass that turns brown during the dry season, giving the hills their name.
A popular local myth for the hills' origin states that two giants fought with stones and sand against each other over a period of several days. A more romantic tale is that of Arogo, a strong and young giant who fell in love with Aloya, a mortal girl. She died within the palm of the giant's hand and the tears that fell supposedly turned into the hills.
Up to this day, geologists have not reached concensus on how they where formed. The most commonly accept theory is that they are the weathered formations of a kind of marine limestone on top of a impermeable layer of clay.
In 1988, the government of the Philippines declared the Chocolate Hills a National Geological Monument. Currently two hills have been developed for tourism, one in Carmen, the very interior of Bohol, and the more recent one in Sagbayan, known as Sagbayan Peak. (DOT)
Tuesday, October 03, 2006
St. Benedict's Monastery and Lady of Manaoag Prayer Center in Carmen
St. Benedict's Monastery, as its name indicates, has St. Benedict, the great father and founder of monasticism, as it's Patron Saint.
The monastery started with very humble and pure origins.
Three monks of South Indian origin were sent from Rome by the Abbot General Rt. Dev. Andrea Pantaloni, OSB to begin a monastery in Cebu, Central Visayas, Philippines, more precisely in the town of Carmen.
The monks were invited by His Eminence Ricardo J. Cardinal Vidal, Archbishop of Cebu. The three monks from Kerala, India are: Rev. Frs. Thomas Thekkumthottam OSB, Bernard Devasia Kallakavunkal OSB and Joseph John Manjadyil OSB.
They reached Carmen in February 10, 1999, which is the feast day of St. Scholastica, the twin sister of St. Benedict.
The monks organized medical and dental camps monthly for the poor people of the mountain barangays. Many doctors and hospitals from Cebu City helped them in this. They organized gift programs for poor families with the help of businessmen and rich families of the city.
Slowly the monastery began to be a center of activity. Counseling, Confession, Healing Prayer and consoling the afflicted became a major activity of the monks.
A center for Reflexology foot therapy and free clinic was opened with 15 of the local people trained as therapists. The monks started the Holy Rosary for the people daily in the evening at 4:30 p.m.
In 2003, Our Lady of Manaoag Rosary Center was blessed by Cardinal Vidal, Archbishop of Cebu. The Rosary Center is a big building almost like the church and it contains 20 life-size paintings of the Mysteries of the Holy Rosary. This is probably the only one of its kind in the world.
These paintings are the imitation of the 15 th and 16 th century paintings from Europe, done by two artists from Cebu. About two thousand people were present for the blessing of the Rosary Center. Within one year, over 40,000 pilgrims visited this place of pilgrimage.
Side by side with the Rosary Center, a huge Sto. Nino, in cement was also built near the church. This Sto. Nino is a twelve feet statue on a twelve feet base and is supposed the biggest anywhere. This also attracts pilgrims to visit this place especially those devotees of St. Nino.
According to the history of the Philippines, Magellan the Spanish Navigator brought a small statue of Sto. Nino or Child Jesus to Cebu and slowly the whole of Cebu and later the whole of Philippines became Catholic.
Today, the Philippines is the only Catholic country in Asia and second biggest after Mexico in the world. Around 75% of the 84 million population is Catholic.
Near the Rosary Center are two other smaller shrines. The first is the lovely little Oratory of Beato Pedro Calungsod. Pedro Calungsod is the only Cebuano Saint, beatified by Pope John Paul in 2000.
Pedro was a young man from Cebu, missionary, catechist, migrant, lay minister, who was martyred in the island of Guam in the Pacific in the 16 th century. In this Oratory, many cancer patients claim to have been healed. Under the Oratory is the grotto of Saint Benedict, a small little haven of silence, so conducive to prayer and contemplation.
All these places of prayer and pilgrimage were built by the generous support of the hundred sick people who were here and pilgrims who flocked here for prayer.
These institutions are located in a panoramic natural landscape, surrounded by high hills and creeks, which create a unique impression of Mother Nature's beauty and human labor.
Just facing the church is the famous bat cave of Carmen, which is a major tourist attraction. Millions of rice-bats come out of this cave in the Philippines where millions of rice-bats, which is rare indeed, can be seen together and so well. This cave was once featured in the National Geographic Channel.
As the number of young men wanting to follow the monastic way of life increased, the need for building up a bigger monastery was felt. So with the help of hundreds of benefactors, the present monastic building was completed.
The monastery is a very simple but elegant architectural poem built amidst the green mountains and blue sky, with the mountain line gradually receding into a thin basin of sea front.
Today this remote village has become a spot on the world map of pilgrimage.
The monks have toiled hard and prayed in the past six (6) years to transform this place and the people according to the motto of the Holy Father St. Benedict “Ora et Labora” ie. Pray and Work.
At present, the strength of the monastery is eleven monks and 25 postulant members. (benedictinesil.org)
Lake Sebu
For anyone who seeks peace of mind, the tranquility of the countryside and the fresh mountain air in Lake Sebu, some 45 minutes away from Koronadal, South Cotabato is the answer.
Lake Sebu irrigates the fertile Allah Valley and is home to two peoples: the T'boli, a highland tribe famous for their colorful costumes, woven work, intricate beadwork, and brass ornaments, and the Tasadays, a cave-dwelling people.
Situated almost 3000 feet above sea level, the mountain climate is cool and the air is fresh. It is surrounded on all sides by hills and forests.
Occasionally, one can still see T'boli women wearing their thickly woven traditional attire during ceremonies. The traditional weaving of the t'nalak (fabric made of abaca fiber) is still around. But what makes people go and visit Lake Sebu is the flavor of the fresh tilapia, caught from the lake to the grill, the taste is almost heavenly.
The Department of Environment and Natural Resources (DENR) has recently chosen Lake Sebu town as among the focal areas for the country's ecotourism development program and as a world-class tourist destination over the next decade..
Lake Sebu watershed forest reserve, which covers the entire municipality, would be developed as among the country's major ecotourism destinations in Southeast Asia by the year 2012.
The 92,450-hectare town of Lake Sebu was recognized as one of the most important watershed areas in the country and was proclaimed as a Protected Landscape on September 24, 1985.(psdn)
Lake Sebu irrigates the fertile Allah Valley and is home to two peoples: the T'boli, a highland tribe famous for their colorful costumes, woven work, intricate beadwork, and brass ornaments, and the Tasadays, a cave-dwelling people.
Situated almost 3000 feet above sea level, the mountain climate is cool and the air is fresh. It is surrounded on all sides by hills and forests.
Occasionally, one can still see T'boli women wearing their thickly woven traditional attire during ceremonies. The traditional weaving of the t'nalak (fabric made of abaca fiber) is still around. But what makes people go and visit Lake Sebu is the flavor of the fresh tilapia, caught from the lake to the grill, the taste is almost heavenly.
The Department of Environment and Natural Resources (DENR) has recently chosen Lake Sebu town as among the focal areas for the country's ecotourism development program and as a world-class tourist destination over the next decade..
Lake Sebu watershed forest reserve, which covers the entire municipality, would be developed as among the country's major ecotourism destinations in Southeast Asia by the year 2012.
The 92,450-hectare town of Lake Sebu was recognized as one of the most important watershed areas in the country and was proclaimed as a Protected Landscape on September 24, 1985.(psdn)
Sunday, October 01, 2006
Cebu Business Park
The Cebu Business Park (CBP) is an integrated development emerging as the premiere business district in Southern Philippines.
It is the only masterplanned business subdivision that integrates the natural environment in a business setting.
The Cebu Business Park is located approximately three kilometers from residential subdivisions in the north, and fifteen kilometers from Mactan International Airport.
It is the only masterplanned business subdivision that integrates the natural environment in a business setting.
The Cebu Business Park is located approximately three kilometers from residential subdivisions in the north, and fifteen kilometers from Mactan International Airport.
The provincial government's office is only a kilometer away while downtown is two kilometers away.50 hectares of prime investment opportunities.
An impressive development showcasing the highest standards of quality and rational growth. State-of-the-art office and residential buildings set amidst refreshing expanses of greenery and wide, concrete avenues.
Cebu Business Park (CBP) is a 50-hectare integrated development with fully landscaped greenstrips, 9 hectares for mixed use superblock, residential block, hotel block, tree nursery and fire station. It is strategically located at the heart of Cebu City.
An impressive development showcasing the highest standards of quality and rational growth. State-of-the-art office and residential buildings set amidst refreshing expanses of greenery and wide, concrete avenues.
Cebu Business Park (CBP) is a 50-hectare integrated development with fully landscaped greenstrips, 9 hectares for mixed use superblock, residential block, hotel block, tree nursery and fire station. It is strategically located at the heart of Cebu City.
Features include:
Underground utilities
Sewage treatment facility
Water reservoir deepwells
Drainage system
30-meter wide main roads
Ample surface parking area
Wide open spaces full of greenery
CBP today is building up fast. Completed projects that are owned by Cebu Holdings, Inc. include the Ayala Center Cebu, Cebu Holdings Center, Ayala Life - FGU Center Cebu, Park Tower One, Park Tower Two and Cebu City Marriott Hotel.
Buildings of other lot owners include First Abacus Financial Center, Keppel Center and Pag-Ibig WTCI Tower and City Sports Club - Cebu. (cebubusinesspark)
Underground utilities
Sewage treatment facility
Water reservoir deepwells
Drainage system
30-meter wide main roads
Ample surface parking area
Wide open spaces full of greenery
CBP today is building up fast. Completed projects that are owned by Cebu Holdings, Inc. include the Ayala Center Cebu, Cebu Holdings Center, Ayala Life - FGU Center Cebu, Park Tower One, Park Tower Two and Cebu City Marriott Hotel.
Buildings of other lot owners include First Abacus Financial Center, Keppel Center and Pag-Ibig WTCI Tower and City Sports Club - Cebu. (cebubusinesspark)
Lake Danao
Located in Ormoc City, 125 kilometers from Tacloban City, it is 2,100 feet above sea level and 3 kilometers long.
The violin-shaped Lake Danao is hemmed by cloud-capped-mountain ranges of undetermined depth. Wild animals roam its surrounding forest, making it a hunter’s paradise. The lake is said to be the habitat of the giant eel.
Lake Danao has been identified as one of the two major eco-tourism destinations in Region 8, the other being the Sohoton Caves in Basey.
The lake remains a key tourist destination despite the absence of organized tour packages especially during hot summer days when its cool mountain climate becomes its allure.
On school days, students are seen visiting the place in busloads. On weekends, local nature lovers look forward to Lake Danao as a favorite getaway. (ormoc.gov)
The violin-shaped Lake Danao is hemmed by cloud-capped-mountain ranges of undetermined depth. Wild animals roam its surrounding forest, making it a hunter’s paradise. The lake is said to be the habitat of the giant eel.
Lake Danao has been identified as one of the two major eco-tourism destinations in Region 8, the other being the Sohoton Caves in Basey.
The lake remains a key tourist destination despite the absence of organized tour packages especially during hot summer days when its cool mountain climate becomes its allure.
On school days, students are seen visiting the place in busloads. On weekends, local nature lovers look forward to Lake Danao as a favorite getaway. (ormoc.gov)
Wednesday, September 27, 2006
San Isidro Labrador Church and Convent
Reputed to be the biggest and among the oldest in the country, it has been declared a historical landmark by the Philippine Historical Commision.
The San Isidro Labrador Church and Convent are two separate 19th century structures that stand on two separate lots on an elevated part of Lazi town of Siquijor province.
Seven municipal roads and several century-old acacia trees surround these prominent wood and masonry structures.
The Lazi Church which measures almost 85 meters in length is laid out in a cruciform plan oriented in an east-west direction, with the west end and its transept and apse on the east end. A baptistry and a three-tiered octagonal belltower adjoins the north wall.
The San Isidro Labrador Church and Convent are two separate 19th century structures that stand on two separate lots on an elevated part of Lazi town of Siquijor province.
Seven municipal roads and several century-old acacia trees surround these prominent wood and masonry structures.
The Lazi Church which measures almost 85 meters in length is laid out in a cruciform plan oriented in an east-west direction, with the west end and its transept and apse on the east end. A baptistry and a three-tiered octagonal belltower adjoins the north wall.
The belltower is accessible through the choir loft. The church is mainly a masonry structure with indications of wattle-and-daub construction (the tabique), and sack masonry construction using rubble stone fillings and square-cut coral stone masonry facings joined by lime mortars.
There are indications of wall-embedded round timber posts suggestive of the timber framework. The roof is made of corrugated galvanized iron with gables made of vertical wood boards all on timber framework.
The Lazi Convent, measuring 42 meters by 38 meters, is laid out in an L-shape. The two-storey convent has its lower part made of square-cut coral stone masonry, and its upper part of wood. The steep hipped roof is made of corrugated galvanized iron on timber framework.
Traces of previous alterations exist and are discernable. In some parts of the church walls were interventions made using reinforced concrete, cracks filled up and architectural surfaces replastered with cement. The alterations were associated with the repairs made through the decades ( 1930’s, 1950’s, and the 1980’s).
Also, through the years new structures and services were integrated to serve the new requirements of the occupants. The new additions were the toilets and candle-offering area in the church; and the toilets, a pre-school building and a playground within the convent premises. (Siquijor Heritage Foundation)
There are indications of wall-embedded round timber posts suggestive of the timber framework. The roof is made of corrugated galvanized iron with gables made of vertical wood boards all on timber framework.
The Lazi Convent, measuring 42 meters by 38 meters, is laid out in an L-shape. The two-storey convent has its lower part made of square-cut coral stone masonry, and its upper part of wood. The steep hipped roof is made of corrugated galvanized iron on timber framework.Traces of previous alterations exist and are discernable. In some parts of the church walls were interventions made using reinforced concrete, cracks filled up and architectural surfaces replastered with cement. The alterations were associated with the repairs made through the decades ( 1930’s, 1950’s, and the 1980’s).
Also, through the years new structures and services were integrated to serve the new requirements of the occupants. The new additions were the toilets and candle-offering area in the church; and the toilets, a pre-school building and a playground within the convent premises. (Siquijor Heritage Foundation)
Bird Sanctuary and Mangrove Park
Commune with birds and other wildlife at the protected mangrove forest that is the Bird Sanctuary and Mangrove Park.
It is a 400-hectare forest which is a natural habitat and nesting place of birds and other wildlife.
The park is located in Bais City, Negros Oriental.
It is accessible by boat and then a walking distance through a 5,968 bamboo-split boardwalk.
It is a 400-hectare forest which is a natural habitat and nesting place of birds and other wildlife.
The park is located in Bais City, Negros Oriental.
It is accessible by boat and then a walking distance through a 5,968 bamboo-split boardwalk.
Tuesday, September 26, 2006
Museo it Akean
The Museum of Akean (Aklan) located at Martelino St., Kalibo, Aklan is housed in the "Eskuylahan it Hari" or School of the King.
This one story structure of mortar is designed along neoclassical lines with its arched openings and the straight lines of what is fundamentally a large box.
The school building is one of a number dating from the Spanish era, when public education was first introduced in the 19th century. The museum houses artifacts reflecting Aklan's history and legacy.
The Museo It Akean is the century old edifice which houses the old glory and legacy of the old civilization of the Minuro It Akean- one of the first provinces in pre-Hispanic Philippines.
The "Eskuylahan It Hari" or "School of the King" is where the young Aklanons were forced to learn Spanish during Spanish era and English from the American era. The school is believed to be as old as Kalibo Cathedral as they exhibit the same architectural style.
This one story structure of mortar is designed along neoclassical lines with its arched openings and the straight lines of what is fundamentally a large box.
The school building is one of a number dating from the Spanish era, when public education was first introduced in the 19th century. The museum houses artifacts reflecting Aklan's history and legacy.
The Museo It Akean is the century old edifice which houses the old glory and legacy of the old civilization of the Minuro It Akean- one of the first provinces in pre-Hispanic Philippines.
The "Eskuylahan It Hari" or "School of the King" is where the young Aklanons were forced to learn Spanish during Spanish era and English from the American era. The school is believed to be as old as Kalibo Cathedral as they exhibit the same architectural style.
Central Azucarera de La Carlota
Negros Occidental is known among locomotive enthusiasts as the “Steam Paradise of the Philippines.” The Central Azucarera de La Carlota sugar central in La Carlota maintain these machines in good working condition.
Each milling season, one may occasionally encounter one of these “dragons” creeping along the canefields like a mechanical caterpillar dragging along a host of canefield cars.
Founded over 85 years ago, Central Azucarera de La Carlota, Inc. (CACI) remains at the forefront of the sugar industry. It continues to be a key player in a fast evolving industry fueling the national economy.
Central Azucarera de La Carlota, Inc. traces its history to 1916 when it was estrablished by the Elizalde and Ynchausti families at Hacienda Esperanza in La Carlota, Negros Occidental at the south base of Mt. Kanlaon.
Prior to its establishment, there were already two sugar mills operating in the vicinity : Sta. Teresita and Kanlaon Mills. In 1920, CACI absorbed Sta. Teresita and Kanlaon and began its operations for crop year 1920-21.
Starting with two crushers and nine rolls, CACI expanded in 1925 to three mills. After WWII, it added another three mills in line with its philosophy of growth.
Expansion and modernization continued in the 70's with the installation of the Farrel Mill which increased milling capacity to about 10,000 tons cane per day, enabling CAC to become one of the biggest raw sugar mills in the Far East.
In 1995, Central Azucarera Don Pedro (CADP) under the Roxas Group took over the management of CACI, with substantial investments spent to rehabilitate and improve the mills, boilers, process house and other facilities. CADP is a leading sugar manufacturere with integrated manufacturing operations in Nasugbo, Batangas.
The improvements included the installation of shredder to increase capacity and sugar extraction, continuous vaccum pan, continuous vertical crystallizer and centrifugal equipment to improve boiling house recovery and the upgrading of laboratory facilities to enchance accuracy of sugar analysis and accounting and pollution control facilities.
The initiative resulted in higher milling efficiency and manufacturing recoveries which eventually led to the all-time high production of almost 3.4 milling Lkg bags in Crop Year 2002-2003. As a forward-looking and socially responsible corporation, CACI is gearing for the future with renewed commitment and hope.
CACI is part of and a 100 percent owned coporation of the CADP Group Corporation, a publicly listed sugar investment and management company.
CADP Group was a merget of leaders in the sugar industry - Central Azucarera Don Pedro (CADP) and the former Central Azucarera de La Carlota. The holding company was formed as a result of the corporate reorganization of its parent company, Roxas Holdings, Inc., which aimed to consolidate all the sugar business under the Roxas group.
CADPGC also owns the Central Azucarera Don Pedro Inc., integrated milling and refinery complex situated in Nasugbu, Batangas which is the country's second largest sugar refiner. IT is also a substantial partner in a joint venture that acquired Hawaiian Philippines Company, a sugar miller located also in Negros Occidental.
It serves food and beverage manufacturers that product soft drinks, beverages, powdered juice drinks, milk and infant formula products and other processed consumer food. (Central Azucarera de La Carlota)
Each milling season, one may occasionally encounter one of these “dragons” creeping along the canefields like a mechanical caterpillar dragging along a host of canefield cars.
Founded over 85 years ago, Central Azucarera de La Carlota, Inc. (CACI) remains at the forefront of the sugar industry. It continues to be a key player in a fast evolving industry fueling the national economy.
Central Azucarera de La Carlota, Inc. traces its history to 1916 when it was estrablished by the Elizalde and Ynchausti families at Hacienda Esperanza in La Carlota, Negros Occidental at the south base of Mt. Kanlaon.
Prior to its establishment, there were already two sugar mills operating in the vicinity : Sta. Teresita and Kanlaon Mills. In 1920, CACI absorbed Sta. Teresita and Kanlaon and began its operations for crop year 1920-21.
Starting with two crushers and nine rolls, CACI expanded in 1925 to three mills. After WWII, it added another three mills in line with its philosophy of growth.
Expansion and modernization continued in the 70's with the installation of the Farrel Mill which increased milling capacity to about 10,000 tons cane per day, enabling CAC to become one of the biggest raw sugar mills in the Far East.
In 1995, Central Azucarera Don Pedro (CADP) under the Roxas Group took over the management of CACI, with substantial investments spent to rehabilitate and improve the mills, boilers, process house and other facilities. CADP is a leading sugar manufacturere with integrated manufacturing operations in Nasugbo, Batangas.
The improvements included the installation of shredder to increase capacity and sugar extraction, continuous vaccum pan, continuous vertical crystallizer and centrifugal equipment to improve boiling house recovery and the upgrading of laboratory facilities to enchance accuracy of sugar analysis and accounting and pollution control facilities.
The initiative resulted in higher milling efficiency and manufacturing recoveries which eventually led to the all-time high production of almost 3.4 milling Lkg bags in Crop Year 2002-2003. As a forward-looking and socially responsible corporation, CACI is gearing for the future with renewed commitment and hope.
CACI is part of and a 100 percent owned coporation of the CADP Group Corporation, a publicly listed sugar investment and management company.
CADP Group was a merget of leaders in the sugar industry - Central Azucarera Don Pedro (CADP) and the former Central Azucarera de La Carlota. The holding company was formed as a result of the corporate reorganization of its parent company, Roxas Holdings, Inc., which aimed to consolidate all the sugar business under the Roxas group.
CADPGC also owns the Central Azucarera Don Pedro Inc., integrated milling and refinery complex situated in Nasugbu, Batangas which is the country's second largest sugar refiner. IT is also a substantial partner in a joint venture that acquired Hawaiian Philippines Company, a sugar miller located also in Negros Occidental.
It serves food and beverage manufacturers that product soft drinks, beverages, powdered juice drinks, milk and infant formula products and other processed consumer food. (Central Azucarera de La Carlota)
Sunday, September 24, 2006
Davao Crocodile Park
The park started from the fascination of the owner, Mr. Philip Dizon, to Saltwater and Freshwater Crocodiles.
He did not think of it as a lucrative business until he learned that crocodiles are raised in United States not just for public viewing but as well as for production of leather purposes.
It was in November 1995 when the government has given the owner the accreditation and permit to operate the 1st Davao Crocodile Park.
Ten years later , on August 18, 2006, the world-class Davao Crocodile Park was opened with the help of the consultant Dr. Gilbert Buenviaje.
The Davao Crocodile Park is an establishment that showcases a ‘state of the art’ crocodile farming system in the Philippines.
It has the most recent crocodile farm design equipped with modern facilities and equipments.
The presence of other exotic animal species like raptors, monkeys, bearcats, snakes, birds, and other reptiles makes it one of the most desired tourist destinations in Davao.
The purposes of this establishment are as follows:
1. tourism
2. public viewing and entertainment
3. venue for educational tours
4. promotion of public awareness through regular lectures
5. conservation of crocodiles and other wildlife animals and
6. acts as a field laboratory for students in Biology, Zoology, Animal Science, Veterinary Medicine as well as for wildlife animal enthusiasts.
The Davao Crocodile Park is at the Riverfront Development in Maa, Davao City. (davaocrocodilepark)
He did not think of it as a lucrative business until he learned that crocodiles are raised in United States not just for public viewing but as well as for production of leather purposes.
It was in November 1995 when the government has given the owner the accreditation and permit to operate the 1st Davao Crocodile Park.
Ten years later , on August 18, 2006, the world-class Davao Crocodile Park was opened with the help of the consultant Dr. Gilbert Buenviaje.
The Davao Crocodile Park is an establishment that showcases a ‘state of the art’ crocodile farming system in the Philippines.
It has the most recent crocodile farm design equipped with modern facilities and equipments.
The presence of other exotic animal species like raptors, monkeys, bearcats, snakes, birds, and other reptiles makes it one of the most desired tourist destinations in Davao.
The purposes of this establishment are as follows:
1. tourism
2. public viewing and entertainment
3. venue for educational tours
4. promotion of public awareness through regular lectures
5. conservation of crocodiles and other wildlife animals and
6. acts as a field laboratory for students in Biology, Zoology, Animal Science, Veterinary Medicine as well as for wildlife animal enthusiasts.
The Davao Crocodile Park is at the Riverfront Development in Maa, Davao City. (davaocrocodilepark)
Saturday, September 23, 2006
Pearl Farm Resort
The 11-hectare Pearl Farm Resort was once, literally, a pearl farm, where thousands of white-lipped oysters, transported from the Sulu Sea, were cultivated for their pink, white, and gold pearls.
The resort lies in a secluded island off the coast of Davao City. It boasts Samal Houses patterned after the stilt houses of seafaring Samal tribes of the Sulu archipelago, with schools of tiny fish frolicking between the sturdy poles that support the houses.
All 73 Deluxe rooms, suites and cottages are set on stilts above the tropical blue water or perched on a hillside over looking the sea.
The resort is even able to offer even more luxurious villas in the utmost privacy, which are located on the nearby exclusive island of Malipano.
Guest facilities include airport and boat transfers, baby sitting, hairdryers, medical service, safe deposit boxes, postage, massage, manicure, room service, cable TV, email access, telephone and telefax.
Ample opportunities are available for delightful open-air dining on South-East Asian and Western cuisine at the Maranao restaurant, and guests can also enjoy serene evenings with cocktails at the Parola Bar.
Extensive water sports include windsurfing, speed-boating, scuba diving, water-skiing, hobbiecat sailing, water-cycling and rowing, as well as organised island-hopping tours.
Alternatively you can sunbathe at two outdoor swimming pools, relax in the Jacuzzi, on the two tennis courts or in the fully equipped games room. (wowphilippines)
The resort lies in a secluded island off the coast of Davao City. It boasts Samal Houses patterned after the stilt houses of seafaring Samal tribes of the Sulu archipelago, with schools of tiny fish frolicking between the sturdy poles that support the houses.
All 73 Deluxe rooms, suites and cottages are set on stilts above the tropical blue water or perched on a hillside over looking the sea.
The resort is even able to offer even more luxurious villas in the utmost privacy, which are located on the nearby exclusive island of Malipano.
Guest facilities include airport and boat transfers, baby sitting, hairdryers, medical service, safe deposit boxes, postage, massage, manicure, room service, cable TV, email access, telephone and telefax.
Ample opportunities are available for delightful open-air dining on South-East Asian and Western cuisine at the Maranao restaurant, and guests can also enjoy serene evenings with cocktails at the Parola Bar.
Extensive water sports include windsurfing, speed-boating, scuba diving, water-skiing, hobbiecat sailing, water-cycling and rowing, as well as organised island-hopping tours.
Alternatively you can sunbathe at two outdoor swimming pools, relax in the Jacuzzi, on the two tennis courts or in the fully equipped games room. (wowphilippines)
Magellan's Cross
The large cross was planted in Cebu by Portuguese and Spanish explorers as ordered by Ferdinand Magellan in 1521. This is to celebrate the baptism into the Roman Catholic religion of island chief Rajah Humabon, his wife, and some 500 of their followers.
This cross is housed in a small chapel next to the Basilica Minore del Santo Nino on Magallanes Street, just in front of the city hall of Cebu City. The street is named after Magellan, Magallanes being the Spanish translation of the Portuguese explorer’s name.
A sign outside claims that the original cross is encased in the tindalo wood cross displayed in the center of the chapel. This is to protect the original cross from people who chipped away parts of the cross for sourvenir purposes or in the belief that the cross possesses miraculous powers. Some people, however, believe that the original cross had been destroyed or had disappeared after Magellan's death, and the cross is a replica that was planted there by the Spaniards after they successfully colonized the Philippines.
Magellan's Cross is a symbol of Cebu City and the chapel's image can be found in its city seal. Many other Cebu-based government and non-government organizations also use Magellan’s Cross in their seals and logos.It is also seen as the symbol of Roman Catholicism in the Philippines.
Magellan was killed on April 27, 1521 in what is now known as the Battle of Mactan. The Portuguese explorer died when his men fought Mactan natives led by the island’s chieftain, Lapu-Lapu.
The cross is a popular tourist attraction together with other Cebu historical landmarks like the Fort San Pedro, built by the Spanish conquistador who came some 40 years after Magellan, and the Basilica Minore del Sto. Niño, considered the oldest church in the Philippines.
Within the vicinity of Magellan’s Cross are Cebu guitar vendors and shellcraft and woodcraft displays. The products are popular with the locals and tourists.
This cross is housed in a small chapel next to the Basilica Minore del Santo Nino on Magallanes Street, just in front of the city hall of Cebu City. The street is named after Magellan, Magallanes being the Spanish translation of the Portuguese explorer’s name.
A sign outside claims that the original cross is encased in the tindalo wood cross displayed in the center of the chapel. This is to protect the original cross from people who chipped away parts of the cross for sourvenir purposes or in the belief that the cross possesses miraculous powers. Some people, however, believe that the original cross had been destroyed or had disappeared after Magellan's death, and the cross is a replica that was planted there by the Spaniards after they successfully colonized the Philippines.
Magellan's Cross is a symbol of Cebu City and the chapel's image can be found in its city seal. Many other Cebu-based government and non-government organizations also use Magellan’s Cross in their seals and logos.It is also seen as the symbol of Roman Catholicism in the Philippines.
Magellan was killed on April 27, 1521 in what is now known as the Battle of Mactan. The Portuguese explorer died when his men fought Mactan natives led by the island’s chieftain, Lapu-Lapu.
The cross is a popular tourist attraction together with other Cebu historical landmarks like the Fort San Pedro, built by the Spanish conquistador who came some 40 years after Magellan, and the Basilica Minore del Sto. Niño, considered the oldest church in the Philippines.
Within the vicinity of Magellan’s Cross are Cebu guitar vendors and shellcraft and woodcraft displays. The products are popular with the locals and tourists.
Basilica Minore del Santo Nino
The basilica is a 16 century church structure in the heart of downtown Cebu City. It is build in the exact spot where the image of Santo Nino was founded by Spanish conquistadors in 1565 preserved in a burned wooden box which was left behind by the Portuguese and Spanish explorers in 1521.
The church of Santo Niño de Cebu was first founded by the Augustinian priest, Andres de Urdaneta on April 28, 1565 . The first church structure was built out of earth, hard wood and nipa in 1566 ordered by Fr. Diego de Herrera. In 1735, Fernando Valdes y Tamon, the Governor of Cebu, ordered the church to be constructed by hard stone, which was build in the same spot were the previous church stands. Constructions finally finished in 1739.
The "first monastery in the Philippines islands" was founded by Andres de Urdaneta in April 28, 1565. It houses the oldest and the most celebrated Christian relic in the country, the image of the Senor Sto. Nino de Cebu (Infant Jesus). This statue is Magellan's baptismal gift to Queen Juana. After being destroyed by fire, the structure was rebuilt in 1602 and then rehabilitated in 1740.
Every third Sunday of each year, throngs of the faithful converge in the centuries-old Basilica del Santo Niño to venerate the miraculous icon of the Holy Child enshrined in a marble chapel, and to accompany the solemn procession of the icon as it winds through the major streets, surrounded by a sea of humanity fired by faith in the power of the God-Child.
Santo Nino de Cebu
The propagation of the devotion to the Holy Child as boy and king was of Spanish origin. It was most avidly promoted by the reformed order of Carmelite nuns led by the enigmatic St. Teresa of Avila in the 16th century.
From La Madre, the devotion to the Christ Child caught on. Icons of the Child Jesus soon began to appear in many churches and homes in Europe and was mass-produced in Flanders (now Belgium). It gained wide popularity in Prague and Bohemia in the Vitarra River.
Eventually, the cult of the devotion to the Holy Child reached Latin America, Asia and the rest of the Christian world.
In 1517, King Charles V of Spain visited Flanders and brought home with him to Spain several Flanders-crafted icons of the Holy Child, one of which was given to the adventurer Ferdinand Magellan who took the icon with him in his voyage to the other side of the world and to Cebu.
In this Malay settlement, Magellan gave the icon as gift to the wife of the Cebuano datu (chief) in 1521. Nothing was known of the icon until 44 years later when it was discovered by Juan Camus, a soldier in the second Spanish expedition led by Miguel Lopez de Legazpi, in one of the charred houses in the old Sugbu in 1565. The event also marked the founding of the first permanent settlement in Cebu named City of the Most Holy Name of Jesus in 1571.
On April 28, 1565, Fr. Andres de Urdaneta founded the first convent of the Augustinians and church housing the Sto. Niño. From Cebu, the devotion spread throughout the islands where Christianity was accepted as faith.
Sometime in the 18th century, the now-popular weekly Friday novena was introduced in Cebuano by Augustinian Fr. Mateo Diez who served as rector of the sanctuary from 1889 to 1893. The booklet was printed in Guadalupe (Manila) Asilo de Huerfanos in 1888.
The popularity of the devotion was of such magnitude that Fr. Juan Delgado, in the 1700s, commented that ''the island of Cebu ranks first in dignity on account of the miraculous image that set his residence in this island and which was found by the Spaniards on the first day of the conquest.''
Fr. Egidio Vivara, father provincial of the Jesuits in the Philippines, added in 1773: ''Sto. Niño is the most famous in all the islands'' referring to the Visayas and Mindanao. The chronicles of the Augustinians recalled the miracles of the Holy Child, ranging from temporal to spiritual favors.
The first of the accounts of the miracles attributed to the Holy Child was written by Fr. Nicolas de la Cuadra, rector of the convent from 1698-1713, in a booklet along with several letters and prayers, titled ''Milagros del Santo Niño'' and ''Sermone Misticas.'' It was Father De la Cuadra who initiated the ornamentation of the icon with precious jewels and held solemn rites in its honor.
Other tales of the icon border on the subversive during the pagan years in which none was known about the whereabouts of the icon. The 44-year gap to the rediscovery of the icon has indigenized the Sto. Niño into the culture and religious beliefs of the natives who have reverted to their old ways with Magellan's death. Their animistic perceptions at the time the Sto. Niño was introduced were after all quite apparent.
Oral tradition has it that King Humabon of Sugbu worshipped Bathala, which interestingly, according to some interpreters, actually means Bata Allah or Child-God. This deity was supposed to have been naughty and would sometimes play pranks on its followers. It was sooty and had curly hair.
Thus, it would not have been too difficult for the natives to accept the Iberian icon; and for Queen Juana to tearfully accept the icon from Pigafetta, chronicler of the Magellan Expedition. This in part would explain the rather embarrassing historical postscript that recounts the presence of an icon of Mary at the bottom of the well, evidently discarded in disesteem, at the time the Sto. Niño was found.
It would seem then that within the so called ''pagan years,'' before the icon was reinstalled in its proper edifice and reclothed with the entry of Legazpi, the ancient worship of the Bata Allah kept by the natives, was evidently united with the Christ Child in the form of the Sto. Niño. To the natives then, the Sto. Niño was Bata Allah reconfigured.
With this fusion of the personality of the native and Christian God in the figure of the Iberian icon came the tales that may have formed an oral tradition in Old Sugbu explaining the presence of the icon whose powers was recognized by the natives.
These tales later evolved with almost religiously subversive myths with the entry of Legazpi who restored the icon to Christian veneration.
The tales claimed the Spaniards stole the icon and wrestled the power of the Child-God called Salvador del Mundo or Ai Suno, found in the settlements of Bohol, Cebu and Mactan and renamed it the Sto. Niño, which is now celebrated all over the islands.
These tales may be explained as an attempt by adherents of the old faith to resist the change brought by the white men whose presence and belief system disrupted the existing religion, especially when they reclaimed the icon of the God-Child already revered by the natives as one of their deities.
Though claimed by the natives as their own, the Spaniards in Legazpi's time believed the icon was obviously of European features even though it was clothed in native garments called pinukpok.
Whatever these claims are, the Sto. Niño remains a powerful symbol of faith both to the natives centuries ago and to the present-day converts.
People continue to talk of the touch of the powerful hand of that Little Child in their personal lives as ''when the lame walked, the mute spoke, the seafarer overcoming a storm and a fisherman getting more catch than usual, a leper cured, harvest crops were preserved from force majeure'' and other signs and wonders that have touched many lives.
Those stories of faith continue to be told far and wide, especially to those who feel shorn of miracles in their lives. They serve as a testimony to the power of faith. Many derive comfort from them and miracles are retold to all who believe with childlike faith in He who made His dwelling among men
The church of Santo Niño de Cebu was first founded by the Augustinian priest, Andres de Urdaneta on April 28, 1565 . The first church structure was built out of earth, hard wood and nipa in 1566 ordered by Fr. Diego de Herrera. In 1735, Fernando Valdes y Tamon, the Governor of Cebu, ordered the church to be constructed by hard stone, which was build in the same spot were the previous church stands. Constructions finally finished in 1739.
The "first monastery in the Philippines islands" was founded by Andres de Urdaneta in April 28, 1565. It houses the oldest and the most celebrated Christian relic in the country, the image of the Senor Sto. Nino de Cebu (Infant Jesus). This statue is Magellan's baptismal gift to Queen Juana. After being destroyed by fire, the structure was rebuilt in 1602 and then rehabilitated in 1740.
Every third Sunday of each year, throngs of the faithful converge in the centuries-old Basilica del Santo Niño to venerate the miraculous icon of the Holy Child enshrined in a marble chapel, and to accompany the solemn procession of the icon as it winds through the major streets, surrounded by a sea of humanity fired by faith in the power of the God-Child.
Santo Nino de Cebu
The propagation of the devotion to the Holy Child as boy and king was of Spanish origin. It was most avidly promoted by the reformed order of Carmelite nuns led by the enigmatic St. Teresa of Avila in the 16th century.
From La Madre, the devotion to the Christ Child caught on. Icons of the Child Jesus soon began to appear in many churches and homes in Europe and was mass-produced in Flanders (now Belgium). It gained wide popularity in Prague and Bohemia in the Vitarra River.
Eventually, the cult of the devotion to the Holy Child reached Latin America, Asia and the rest of the Christian world.
In 1517, King Charles V of Spain visited Flanders and brought home with him to Spain several Flanders-crafted icons of the Holy Child, one of which was given to the adventurer Ferdinand Magellan who took the icon with him in his voyage to the other side of the world and to Cebu.
In this Malay settlement, Magellan gave the icon as gift to the wife of the Cebuano datu (chief) in 1521. Nothing was known of the icon until 44 years later when it was discovered by Juan Camus, a soldier in the second Spanish expedition led by Miguel Lopez de Legazpi, in one of the charred houses in the old Sugbu in 1565. The event also marked the founding of the first permanent settlement in Cebu named City of the Most Holy Name of Jesus in 1571.
On April 28, 1565, Fr. Andres de Urdaneta founded the first convent of the Augustinians and church housing the Sto. Niño. From Cebu, the devotion spread throughout the islands where Christianity was accepted as faith.
Sometime in the 18th century, the now-popular weekly Friday novena was introduced in Cebuano by Augustinian Fr. Mateo Diez who served as rector of the sanctuary from 1889 to 1893. The booklet was printed in Guadalupe (Manila) Asilo de Huerfanos in 1888.
The popularity of the devotion was of such magnitude that Fr. Juan Delgado, in the 1700s, commented that ''the island of Cebu ranks first in dignity on account of the miraculous image that set his residence in this island and which was found by the Spaniards on the first day of the conquest.''
Fr. Egidio Vivara, father provincial of the Jesuits in the Philippines, added in 1773: ''Sto. Niño is the most famous in all the islands'' referring to the Visayas and Mindanao. The chronicles of the Augustinians recalled the miracles of the Holy Child, ranging from temporal to spiritual favors.
The first of the accounts of the miracles attributed to the Holy Child was written by Fr. Nicolas de la Cuadra, rector of the convent from 1698-1713, in a booklet along with several letters and prayers, titled ''Milagros del Santo Niño'' and ''Sermone Misticas.'' It was Father De la Cuadra who initiated the ornamentation of the icon with precious jewels and held solemn rites in its honor.
Other tales of the icon border on the subversive during the pagan years in which none was known about the whereabouts of the icon. The 44-year gap to the rediscovery of the icon has indigenized the Sto. Niño into the culture and religious beliefs of the natives who have reverted to their old ways with Magellan's death. Their animistic perceptions at the time the Sto. Niño was introduced were after all quite apparent.
Oral tradition has it that King Humabon of Sugbu worshipped Bathala, which interestingly, according to some interpreters, actually means Bata Allah or Child-God. This deity was supposed to have been naughty and would sometimes play pranks on its followers. It was sooty and had curly hair.
Thus, it would not have been too difficult for the natives to accept the Iberian icon; and for Queen Juana to tearfully accept the icon from Pigafetta, chronicler of the Magellan Expedition. This in part would explain the rather embarrassing historical postscript that recounts the presence of an icon of Mary at the bottom of the well, evidently discarded in disesteem, at the time the Sto. Niño was found.
It would seem then that within the so called ''pagan years,'' before the icon was reinstalled in its proper edifice and reclothed with the entry of Legazpi, the ancient worship of the Bata Allah kept by the natives, was evidently united with the Christ Child in the form of the Sto. Niño. To the natives then, the Sto. Niño was Bata Allah reconfigured.
With this fusion of the personality of the native and Christian God in the figure of the Iberian icon came the tales that may have formed an oral tradition in Old Sugbu explaining the presence of the icon whose powers was recognized by the natives.
These tales later evolved with almost religiously subversive myths with the entry of Legazpi who restored the icon to Christian veneration.
The tales claimed the Spaniards stole the icon and wrestled the power of the Child-God called Salvador del Mundo or Ai Suno, found in the settlements of Bohol, Cebu and Mactan and renamed it the Sto. Niño, which is now celebrated all over the islands.
These tales may be explained as an attempt by adherents of the old faith to resist the change brought by the white men whose presence and belief system disrupted the existing religion, especially when they reclaimed the icon of the God-Child already revered by the natives as one of their deities.
Though claimed by the natives as their own, the Spaniards in Legazpi's time believed the icon was obviously of European features even though it was clothed in native garments called pinukpok.
Whatever these claims are, the Sto. Niño remains a powerful symbol of faith both to the natives centuries ago and to the present-day converts.
People continue to talk of the touch of the powerful hand of that Little Child in their personal lives as ''when the lame walked, the mute spoke, the seafarer overcoming a storm and a fisherman getting more catch than usual, a leper cured, harvest crops were preserved from force majeure'' and other signs and wonders that have touched many lives.
Those stories of faith continue to be told far and wide, especially to those who feel shorn of miracles in their lives. They serve as a testimony to the power of faith. Many derive comfort from them and miracles are retold to all who believe with childlike faith in He who made His dwelling among men
Friday, September 22, 2006
San Juanico Bridge
Spanning 2.16 kilometers, the San Juanico Bridge still holds the record as the longest bridge in the Philippines.
It connects Tacloban City on the Leyte side and Santa Rita town on the Samar side. The bridge crosses the San Juanico strait, reportedly the world’s narrowest since it’s only two kilometers wide at its most narrow point.
It offers many picturesque views, especially of the San Juanico Strait with its lovely islets of the province.
The 34-year-old steel structure is just 10 minutes away from the Tacloban City center. It is accessible by jeepney, bus, motorcycle, or private vehicle.
Constructed in 1973 during the administration of the late President Ferdinand Marcos, the bridge is supported by 43 spans that rise 41 meters above the sea.
The views from the bridge are fantastic and include the islets near the bridge as well as the strait’s thousand whirlpools.
It connects Tacloban City on the Leyte side and Santa Rita town on the Samar side. The bridge crosses the San Juanico strait, reportedly the world’s narrowest since it’s only two kilometers wide at its most narrow point.
It offers many picturesque views, especially of the San Juanico Strait with its lovely islets of the province.
The 34-year-old steel structure is just 10 minutes away from the Tacloban City center. It is accessible by jeepney, bus, motorcycle, or private vehicle.
Constructed in 1973 during the administration of the late President Ferdinand Marcos, the bridge is supported by 43 spans that rise 41 meters above the sea.
The views from the bridge are fantastic and include the islets near the bridge as well as the strait’s thousand whirlpools.
Malacanang sa Sugbo
Constructed before World War II, the building housed the headquarters of American officials who led the liberation of the Philippines.
After decades of benign neglect, the administration of President Gloria Macapagal-Arroyo decided to restore the building’s old beauty and transformed it into what is now called Malacanang sa Sugbo or the Presidential Palace of the South.
But unlike other rehabilitation projects that cost the government hundreds of millions, if not billions of pesos, the restoration of Malacanang sa Sugbo required only P700,000 in public funds, with the 53rd Engineering Brigade of the Philippine Army providing free labor, and a private company donating the painting requirements.
Adding the final touches to the structure were 23 of Cebu’s top furniture manufacturers who made sure that only the finest furnishings are found in the Palace of the South. This made Malacanang sa Sugbo a showcase of the best that Cebu has to offer: the best hands of the engineering brigade that undertook the rehabilitation of the building, the best intentions of the private companies that donated materials, and the best furnishings that one could find nowhere else in the world but in the Queen City of the South.
The palace’s furnishings and accessories, all donations by the 23 firms, enabled the government to save millions of pesos, while transforming the seat of power in Central Philippines as a showcase of their best products.
These furniture manufacturers met with President Gloria Macapagal-Arroyo at the Malacanang sa Sugbo last March 9 during her visit to Cebu City.The Cebu Furniture Industry Federation (CFIF) got the furniture companies together and encouraged them to participate in the project.
The President tapped Chary Aboitiz to handle the interior design and made sure that the furniture donated by various companies and used in each of the rooms actually match. The biggest furniture donor was Maitland-Smith, followed by Cebu Fil-Veneer, which furnished the Guitar Room. Pacific Traders donated the furnishings for the lobby of Malacanang sa Sugbo which is known as the Traders’ Lobby, in recognition of the contribution of the private firm. Mehitabel Furniture Inc. provided some of the furnishings for the guest rooms and the private living area.
Other major donors are Metamorfose and Detalia Aurora. They provided the furnishings for the other rooms. Dedon, another furniture manufacturer, provided the furnishings for the inner courtyard, which is named Patio Dedon.
The minor donors are Raphael Legacy, Castillex, Silya, Arden Classics, Kirsten International, Murillo, Maple and Pine, Mendco, Interior Basics, Coast Pacific, Nature’s Legacy, Brianex, Riverside Arts and Rattan Pacifica. (gov.ph)
After decades of benign neglect, the administration of President Gloria Macapagal-Arroyo decided to restore the building’s old beauty and transformed it into what is now called Malacanang sa Sugbo or the Presidential Palace of the South.
But unlike other rehabilitation projects that cost the government hundreds of millions, if not billions of pesos, the restoration of Malacanang sa Sugbo required only P700,000 in public funds, with the 53rd Engineering Brigade of the Philippine Army providing free labor, and a private company donating the painting requirements.
Adding the final touches to the structure were 23 of Cebu’s top furniture manufacturers who made sure that only the finest furnishings are found in the Palace of the South. This made Malacanang sa Sugbo a showcase of the best that Cebu has to offer: the best hands of the engineering brigade that undertook the rehabilitation of the building, the best intentions of the private companies that donated materials, and the best furnishings that one could find nowhere else in the world but in the Queen City of the South.
The palace’s furnishings and accessories, all donations by the 23 firms, enabled the government to save millions of pesos, while transforming the seat of power in Central Philippines as a showcase of their best products.
These furniture manufacturers met with President Gloria Macapagal-Arroyo at the Malacanang sa Sugbo last March 9 during her visit to Cebu City.The Cebu Furniture Industry Federation (CFIF) got the furniture companies together and encouraged them to participate in the project.
The President tapped Chary Aboitiz to handle the interior design and made sure that the furniture donated by various companies and used in each of the rooms actually match. The biggest furniture donor was Maitland-Smith, followed by Cebu Fil-Veneer, which furnished the Guitar Room. Pacific Traders donated the furnishings for the lobby of Malacanang sa Sugbo which is known as the Traders’ Lobby, in recognition of the contribution of the private firm. Mehitabel Furniture Inc. provided some of the furnishings for the guest rooms and the private living area.
Other major donors are Metamorfose and Detalia Aurora. They provided the furnishings for the other rooms. Dedon, another furniture manufacturer, provided the furnishings for the inner courtyard, which is named Patio Dedon.
The minor donors are Raphael Legacy, Castillex, Silya, Arden Classics, Kirsten International, Murillo, Maple and Pine, Mendco, Interior Basics, Coast Pacific, Nature’s Legacy, Brianex, Riverside Arts and Rattan Pacifica. (gov.ph)
Wednesday, September 20, 2006
Samar Island Nature Park
Samar is one of the few places in the country where the people themselves-many of them highly dependent on the forests for a living-have abandoned their old way of life and moved toward conservation for the sake of the species that also make the island's forests their home.
This sacrifice laid the foundation for the establishment of the 333,000-hectare Samar Island Nature Park (SINP), which comprises a third of the island's 1.34-million-ha area.
The SINP is a component of the $12.8-million Samar Island Biodiversity Project (SIBP) funded by the Global Environment Facility (GEF), United Nations Development Fund, US Agency for International Development, the Philippine government and nongovernment organizations.
"This project, dealing as it does with a very important biogeographical area in a country which is highly stressed environmentally, has very high global environmental benefits," GEF consultant Peter Raven said in his review of the project proposal in 1999.
He recommended the funding of the SIBP to the GEF, an international funding agency that supports only projects with global significance to biodiversity conservation.
"This is, in my mind, an almost perfect GEF project and, in that sense, is highly innovative ... I find this one of the best in terms of its plans for sustainability," he said in his scientific and technical review.
Samar is listed by the World Wildlife Fund as one of the world's 200 eco-regions for its rich biodiversity. It is also one of 18 plant diversity centers, hosting 12 of the world's threatened tree species.
Found in its contiguous lowland forests are 2,400 species of flowering plants, 406 of which are endemic or found only in the region; 39 species of mammals, most of which are forest dependent; 25 reptile species, and 12 amphibian species.
Samar has also been named as one of the nine endemic bird areas in the Philippines.
The Philippine eagle was first discovered in the forests of Paranas, Samar in 1896. Experts have said that the island, which has some 360,000 ha of unfragmented lowland forests, could have the highest population of the endangered Philippine eagle in the country.
The Philippine eagle, known to be a very territorial species, needs an area of 3,000 ha to fly.
Samar is also home to the threatened Philippine Hawk Eagle and the Philippine Cockatoo, along with 194 other bird species, of which 50 are found only in the Philippines. The Acerodon jubatus, the largest bat in the world, rests in Samar's forests as well.
This sacrifice laid the foundation for the establishment of the 333,000-hectare Samar Island Nature Park (SINP), which comprises a third of the island's 1.34-million-ha area.
The SINP is a component of the $12.8-million Samar Island Biodiversity Project (SIBP) funded by the Global Environment Facility (GEF), United Nations Development Fund, US Agency for International Development, the Philippine government and nongovernment organizations.
"This project, dealing as it does with a very important biogeographical area in a country which is highly stressed environmentally, has very high global environmental benefits," GEF consultant Peter Raven said in his review of the project proposal in 1999.
He recommended the funding of the SIBP to the GEF, an international funding agency that supports only projects with global significance to biodiversity conservation.
"This is, in my mind, an almost perfect GEF project and, in that sense, is highly innovative ... I find this one of the best in terms of its plans for sustainability," he said in his scientific and technical review.
Samar is listed by the World Wildlife Fund as one of the world's 200 eco-regions for its rich biodiversity. It is also one of 18 plant diversity centers, hosting 12 of the world's threatened tree species.
Found in its contiguous lowland forests are 2,400 species of flowering plants, 406 of which are endemic or found only in the region; 39 species of mammals, most of which are forest dependent; 25 reptile species, and 12 amphibian species.
Samar has also been named as one of the nine endemic bird areas in the Philippines.
The Philippine eagle was first discovered in the forests of Paranas, Samar in 1896. Experts have said that the island, which has some 360,000 ha of unfragmented lowland forests, could have the highest population of the endangered Philippine eagle in the country.
The Philippine eagle, known to be a very territorial species, needs an area of 3,000 ha to fly.
Samar is also home to the threatened Philippine Hawk Eagle and the Philippine Cockatoo, along with 194 other bird species, of which 50 are found only in the Philippines. The Acerodon jubatus, the largest bat in the world, rests in Samar's forests as well.
Sinulog
Sinulog is a dance ritual in honor of the miraculous image of the Santo Niño.
The dance moves two steps forward and one step backward to the sound of the drums. This resembles the current (Sulog) of what was then known as Cebu's Pahina River. Thus, in Cebuano, they say it's Sinulog.
More than just the meaning of the word is the significance of the dance. Historians say that Sinulog,which is of pagan origin and is the link between the country's pagan past and its Christian present.
Historical accounts say that before Portuguese navigator came to Cebu on April 7,1521 to plant the cross on its shore and claim the country for the King of Spain, Sinulog was already danced by the natives in honor of their wooden idols and anitos. Then Magellan came and introduced Christianity. He gave the Santo Niño ( image of the Child Jesus ) as baptismal gift to Hara Amihan, wife of Cebu's Rajah Humabon who was later named Queen Juana.
At that time, not only the rulers were baptized but also about 800 of their subjects. Unfortunately however, shortly after the conversion, Magellan went into a reckless adventure by fighting the reigning ruler of Mactan, Rajah Lapu-lapu, with only a handful of men. He died in the encounter. That was on April 27,1521.
The remnants of Magellan's men were however able to return to Spain to report the incident and the possibility of conquest. It took 44 years before a new group came and started the formal christianization of the islands. Miguel Lopez de Legaspi arrived in Cebu on April 28, 1565. His ships bombarded the village and in one of the burning huts, one of his soldiers named Juan Camus found inside a wooden box the image of the Santo Niño lying side by side with native idols.
Historians now say that during the 44 years between the coming of Magellan and Legaspi, the natives continued to dance the Sinulog. These time, however, they danced it no longer to worship their native idols but a sign of reverence to the Santo Niño, which is now enshrined at the San Agustin Church (renamed Basilica Minore del Santo Niño).
Through the years since 1521, the dance was a small ritual danced by a few in front of wooden idols or before the Santo Niño. In fact, at the Santo Niño Church where the image is consecrated, only the candle vendors could be seen dancing the Sinulog and making offerings.
During the Santo Niño fiesta which fall on the third Sunday of January,children dressed moro-moro costumes also dance the Sinulog. This was really no big event for Cebu City.
In 1980, however, David S. Odilao, Jr., then Regional Director of the Ministry of Sports and Youth Development (MYSD), organized the first ever Sinulog parade. He gathered a group of students, dressed them up, taught them how to dance the Sinulog to the beating of the drums. It was a small parade really which went just around the Basilica but it caught the imagination the City of Cebu, which then thought of making the Sinulog a festival that would rival all other festivals being held yearly in the country.
Thus, under the direction of the Cebu City Mayor Florentino S. Solon and through the help of lawyer Manuel S. Satorre, Jr., Juan B. Aquino Jr., Robert Grimalt and Antonio R. Aseniero, Jr.,Odilao turned over the Sinulog project to the Cebu City Historical Committee under Kagawad Jesus B. Garcia, Jr.
Through Garcia's committee, the Sinulog organization came into being. The first task of the organizing committee was how to conceptualized the festival and make it a big event.
The committee then came up with the idea of having a Sinulog logo that would identify the event yearly if it was to be institutionalized. The group didn't however want to use the Santo Niño image itself because this would have been a sacrilege. And it had to look for something that would identify the project.
This was the coat of arms of the Santo Niño, which is quite visible as they are being embossed in the benches, architecture, and banners of the old San Agustin Church.
The coat of arms of the Santo Niño bears a two- headed hawk, the mark of the House of Hapsburg ( Hapsburg ) in Europe, which then ruled most of the known world from the 15th century to 20th century. Spain was under the Hapsburg dynasty when it sent the expeditions out across the globe to spread the Faith and expand the influence of the dynastic house to be unknown lands beyond the oceans.
The royal origin of the Hapsburg started with the ruling family on Austria in 1276 and for centuries until the 20th century the house ruled most of the kingdoms in Europe. The Hapsburg established the Holy Roman Empire in 1452 and it was at the height of their power under Charles 1 of Spain ( who was also Holy Roman Emperor known as Charles V1) the first expedition under Ferdinand Magellan which discovered the Philippines for Spain was sent initially to look for the Spice Island.
The second expedition under Miguel Lopez de Legaspi was sent by his son, Philip II who ruled Spain for 42 years from 1556. In fact, the Hapsburg rulers continued to hold power until 1700 not only in Spain but also in the colonies under the Spanish regime while the Austrian line of the Hapsburg dynasty also ruled Central Europe until about the same time.
Thus, the Hapsburg emblem, now the coat of arms of the Santo Niño, was influential in many kingdoms in that time. The two-headed hawk emblem was in some of the banners brought by Magellan's men to Cebu settlement in 1521.
The same emblem was carried all the way from that time, through the Legaspi's expedition in 44 years after Magellan, on to others that would come to the country in those days, such as Loaisa, Saavedra and the Villalobos expeditions.
The emblem of the two-headed hawk at the peak of the power of the Hapsburg dynasty represented the twin purpose of the House, which was to stand as "Champion of Catholicism and Defender of the Faith."
With this background, the Sinulog committee used a native warrior's shield on whose face is imprinted the coat of arms of the House of Hapsburg that now represents the Sinulog logo as interpreted by Miss Olive Templa, who coincidentally is a Cebuana.
The native shield figure symbolizes the country's continued resistance to colonization. It speaks of the Filipino's readiness to defend the country from all forms of foreign incursion and to resist any move that may endanger the country's self-determination.
The coat of arms of the Santo Niño on the face of the shield on the other hand, traditionally symbolizes the country's acceptance of Christianity as it was brought to the settlements in 1521 by European rulers.
Sinulog '81 was then organized. Practically all sectors in the Cebuano community got involved. To distinguish the festival from the popular Ati-atihan Festival in Aklan, the organizers decided to use the parade to depict the history of the Sinulog which, as had been said, is the dance which links the country's pagan pasty and Christian present.
Seven floats were created to depict seven different periods of history. Each float were followed by dancers wearing costumes depicting the periods. They all danced the same beat the Sinulog parade started at 1 P.M. at the Cebu Provincial Capitol and ended about midnight at Fort San Pedro-Plaza Independencia area. And the show continued until the wee hours of the morning.
This made Sinulog the country's biggest spectacle. So every year thereafter, the Sinulog parade and activities became bigger and better.(sinulog.ph)
The dance moves two steps forward and one step backward to the sound of the drums. This resembles the current (Sulog) of what was then known as Cebu's Pahina River. Thus, in Cebuano, they say it's Sinulog.
More than just the meaning of the word is the significance of the dance. Historians say that Sinulog,which is of pagan origin and is the link between the country's pagan past and its Christian present.
Historical accounts say that before Portuguese navigator came to Cebu on April 7,1521 to plant the cross on its shore and claim the country for the King of Spain, Sinulog was already danced by the natives in honor of their wooden idols and anitos. Then Magellan came and introduced Christianity. He gave the Santo Niño ( image of the Child Jesus ) as baptismal gift to Hara Amihan, wife of Cebu's Rajah Humabon who was later named Queen Juana.
At that time, not only the rulers were baptized but also about 800 of their subjects. Unfortunately however, shortly after the conversion, Magellan went into a reckless adventure by fighting the reigning ruler of Mactan, Rajah Lapu-lapu, with only a handful of men. He died in the encounter. That was on April 27,1521.
The remnants of Magellan's men were however able to return to Spain to report the incident and the possibility of conquest. It took 44 years before a new group came and started the formal christianization of the islands. Miguel Lopez de Legaspi arrived in Cebu on April 28, 1565. His ships bombarded the village and in one of the burning huts, one of his soldiers named Juan Camus found inside a wooden box the image of the Santo Niño lying side by side with native idols.
Historians now say that during the 44 years between the coming of Magellan and Legaspi, the natives continued to dance the Sinulog. These time, however, they danced it no longer to worship their native idols but a sign of reverence to the Santo Niño, which is now enshrined at the San Agustin Church (renamed Basilica Minore del Santo Niño).
Through the years since 1521, the dance was a small ritual danced by a few in front of wooden idols or before the Santo Niño. In fact, at the Santo Niño Church where the image is consecrated, only the candle vendors could be seen dancing the Sinulog and making offerings.
During the Santo Niño fiesta which fall on the third Sunday of January,children dressed moro-moro costumes also dance the Sinulog. This was really no big event for Cebu City.
In 1980, however, David S. Odilao, Jr., then Regional Director of the Ministry of Sports and Youth Development (MYSD), organized the first ever Sinulog parade. He gathered a group of students, dressed them up, taught them how to dance the Sinulog to the beating of the drums. It was a small parade really which went just around the Basilica but it caught the imagination the City of Cebu, which then thought of making the Sinulog a festival that would rival all other festivals being held yearly in the country.
Thus, under the direction of the Cebu City Mayor Florentino S. Solon and through the help of lawyer Manuel S. Satorre, Jr., Juan B. Aquino Jr., Robert Grimalt and Antonio R. Aseniero, Jr.,Odilao turned over the Sinulog project to the Cebu City Historical Committee under Kagawad Jesus B. Garcia, Jr.
Through Garcia's committee, the Sinulog organization came into being. The first task of the organizing committee was how to conceptualized the festival and make it a big event.
The committee then came up with the idea of having a Sinulog logo that would identify the event yearly if it was to be institutionalized. The group didn't however want to use the Santo Niño image itself because this would have been a sacrilege. And it had to look for something that would identify the project.
This was the coat of arms of the Santo Niño, which is quite visible as they are being embossed in the benches, architecture, and banners of the old San Agustin Church.
The coat of arms of the Santo Niño bears a two- headed hawk, the mark of the House of Hapsburg ( Hapsburg ) in Europe, which then ruled most of the known world from the 15th century to 20th century. Spain was under the Hapsburg dynasty when it sent the expeditions out across the globe to spread the Faith and expand the influence of the dynastic house to be unknown lands beyond the oceans.
The royal origin of the Hapsburg started with the ruling family on Austria in 1276 and for centuries until the 20th century the house ruled most of the kingdoms in Europe. The Hapsburg established the Holy Roman Empire in 1452 and it was at the height of their power under Charles 1 of Spain ( who was also Holy Roman Emperor known as Charles V1) the first expedition under Ferdinand Magellan which discovered the Philippines for Spain was sent initially to look for the Spice Island.
The second expedition under Miguel Lopez de Legaspi was sent by his son, Philip II who ruled Spain for 42 years from 1556. In fact, the Hapsburg rulers continued to hold power until 1700 not only in Spain but also in the colonies under the Spanish regime while the Austrian line of the Hapsburg dynasty also ruled Central Europe until about the same time.
Thus, the Hapsburg emblem, now the coat of arms of the Santo Niño, was influential in many kingdoms in that time. The two-headed hawk emblem was in some of the banners brought by Magellan's men to Cebu settlement in 1521.
The same emblem was carried all the way from that time, through the Legaspi's expedition in 44 years after Magellan, on to others that would come to the country in those days, such as Loaisa, Saavedra and the Villalobos expeditions.
The emblem of the two-headed hawk at the peak of the power of the Hapsburg dynasty represented the twin purpose of the House, which was to stand as "Champion of Catholicism and Defender of the Faith."
With this background, the Sinulog committee used a native warrior's shield on whose face is imprinted the coat of arms of the House of Hapsburg that now represents the Sinulog logo as interpreted by Miss Olive Templa, who coincidentally is a Cebuana.
The native shield figure symbolizes the country's continued resistance to colonization. It speaks of the Filipino's readiness to defend the country from all forms of foreign incursion and to resist any move that may endanger the country's self-determination.
The coat of arms of the Santo Niño on the face of the shield on the other hand, traditionally symbolizes the country's acceptance of Christianity as it was brought to the settlements in 1521 by European rulers.
Sinulog '81 was then organized. Practically all sectors in the Cebuano community got involved. To distinguish the festival from the popular Ati-atihan Festival in Aklan, the organizers decided to use the parade to depict the history of the Sinulog which, as had been said, is the dance which links the country's pagan pasty and Christian present.
Seven floats were created to depict seven different periods of history. Each float were followed by dancers wearing costumes depicting the periods. They all danced the same beat the Sinulog parade started at 1 P.M. at the Cebu Provincial Capitol and ended about midnight at Fort San Pedro-Plaza Independencia area. And the show continued until the wee hours of the morning.
This made Sinulog the country's biggest spectacle. So every year thereafter, the Sinulog parade and activities became bigger and better.(sinulog.ph)
Tuesday, September 19, 2006
Kadayawan sa Dabaw
The Kadayawan sa Dabaw is the Mindanaoans thanksgiving celebration of cultural heritage, bounty, creativity and unity.
The festival does not only involve the promotion of investment and tourism in Davao and Mindanao but as well as to promote arts and culture and mold creative individuals.
It is during this important annual revelry that the Mindanaoans manifest their committed effort in nurturing of culture, understanding of history and appreciating art as part of the city’s total development.
A celebration that interfaces the three aspects; tribal, industrial and arts and entertainment. The festivities will be highlighted by the floral float, street-dancing competitions and exhibits showcasing the island's tourism products and services.
Madayaw! - is the warm and friendly greeting derived from the Dabawenyo word "dayaw" that means good. It is also used to describe anything that is valuable, superior or beautiful. Such is "Kadayawan," a celebration of life, a thanksgiving for the gifts of nature, the wealth of culture, the bounties of harvest and the serenity of living.
The thanksgiving festival was institutionalized in 1986 to unite the Dabawenyos after the turbulent Martial Law years. It was then called Apo Duwaling, a contraction of the famous icons of the city, the Mt. Apo, durian and waling-waling. Two years later, it was renamed Kadayawan to better reflect the merry spirit and indigenous theme of the celebration.
Today, Kadayawan has metamorphosed into a festival, the mother of many other festivals in the region as it honors Davao's heritage, its past personified by the ancestral lumads as they celebration on the streets, and its floral industry as they parade in full regalia in thanksgiving for the blessings bestowed.
The festival does not only involve the promotion of investment and tourism in Davao and Mindanao but as well as to promote arts and culture and mold creative individuals.
It is during this important annual revelry that the Mindanaoans manifest their committed effort in nurturing of culture, understanding of history and appreciating art as part of the city’s total development.
A celebration that interfaces the three aspects; tribal, industrial and arts and entertainment. The festivities will be highlighted by the floral float, street-dancing competitions and exhibits showcasing the island's tourism products and services.
Madayaw! - is the warm and friendly greeting derived from the Dabawenyo word "dayaw" that means good. It is also used to describe anything that is valuable, superior or beautiful. Such is "Kadayawan," a celebration of life, a thanksgiving for the gifts of nature, the wealth of culture, the bounties of harvest and the serenity of living.
The thanksgiving festival was institutionalized in 1986 to unite the Dabawenyos after the turbulent Martial Law years. It was then called Apo Duwaling, a contraction of the famous icons of the city, the Mt. Apo, durian and waling-waling. Two years later, it was renamed Kadayawan to better reflect the merry spirit and indigenous theme of the celebration.
Today, Kadayawan has metamorphosed into a festival, the mother of many other festivals in the region as it honors Davao's heritage, its past personified by the ancestral lumads as they celebration on the streets, and its floral industry as they parade in full regalia in thanksgiving for the blessings bestowed.
Madayaw Dabaw!
Monday, September 18, 2006
Silliman University
Silliman University is located in Dumaguete City, Negros Oriental.
The paramount and central goal of Silliman University is Christian education of the highest quality.
It is the mission of Silliman University to develop the whole person within the context of a Christian environment, Silliman University seeks to achieve the ideals of excellence for its students, faculty, staff, and administrators.
It aims to develop persons for responsible roles for human and national development, to be sensitive to the realities of change, and responsive to the demands of social justice.
The following commitments guide Silliman University in fulfilling its mission: As an institution of faith and learning, Silliman University is committed to provide opportunities for all members of the academic community to seek truth, justice and love.
Christian values, therefore, permeate every facet of University life. Related to the United Church of Christ in the Philippines, Silliman University respects the religious freedom of all members of the community. Believing in the integrity of Christian higher education, Silliman University is committed to the pursuit of excellence in every dimension of inquiry, learning, and teaching.
It makes high quality education available to all students regardless of social and economic background. It is committed to an administration that is democratic and participatory. Committed to an education for the service of others, Silliman University seeks to instill in all members of the University community, including all its integral parts, such as the University Extension Program, the University Research Center, the SU Press, the SU Church Learning Center, and all other related entities, an enlightened social consciousness, a profound sense of involvement, and a genuine compassion for every person.
It seeks to enhance national development and unity by making its life and programs relevant to the total environment.
History
Silliman Institute. Silliman University was founded on August 28, 1901 as Silliman Institute. It was an elementary school for boys founded by Protestant missionaries Dr. David Sutherland Hibbard and Laura Crooks Hibbard under the Board of Foreign Missions of the Presbyterian Church in the United States of America.
Operations started through a gift donation from a businessman and a Christian philanthropist of Cohoes, New York, Dr. Horace Brinsmade Silliman (where Silliman University got its name). Era of Rapid Advance (1905-1921).
In 1910, Silliman Institute was awarded government recognition and the right to grant a degree. In the same year it was incorporated under the laws of the Philippines.
In 1912, girls were admitted to the institute. In 1921, the Silliman Bible School (later became the College of Theology) was established in cooperation with the American Board of Commissioners for Foreign Missions, representing the Congregational Churches of the United States. Preparation for University Status (1921-1938).
In its early years, Silliman was a single college with various departments, some of which developed into colleges. In 1935, the articles of incorporation of Silliman University were approved by the Board of Trustees and filed with the Philippine Government.
In 1936, the Philippine National Assembly passed a law establishing requirements from institutions to qualify for university status. Silliman won full recognition as a university in 1938.
Funding
Silliman was receiving from the Presbyterian Board and the American Board (now the United Church Board for World Ministries) grants for land, buildings and equipment. In addition, these Boards provided the University with American faculty and staff personnel.
Two other American boards have contributed personnel and funds: the Board of Missions of the United Methodist Church and the United Christian Missionary Society of the Christian Churches (Disciples of Christ).
In 1957, the United Board for Christian Higher Education in Asia (New York) assumed responsibility for channeling all American aid to the University.
The United Board is an interdenominational organization supported by ten (10) Protestant mission boards. It assists and sponsors seven (7) Christian colleges and universities in Asia. Presidents. From 1901-1953, Silliman University was administered by three American Presidents. Dr. David S. Hibbard was the founder and the first President followed by Dr. Roy H. Brown and then by Dr. Arthur L. Carson.
In line with the government policy of giving the top leadership to Filipinos, Dr. Leopoldo Ruiz was elected as the first Filipino President. Silliman University continues to strive to be an effective witness of Jesus Christ in the evangelical tradition.
It nurtures a close relationship with the United Church of Christ in the Philippines (UCCP), and it continues to cooperate with various ecumenical groups.
The policy-making and governing body of Silliman University is the Board of Trustees, whose constituency is equally represented by 15 members coming from the United Church of Christ in the Philippines (UCCP), the alumni and the general community at large. The University President is an ex-officio member of the Board of Trustees. (Silliman University)
Mindanao Product Showroom
Looking for exotic pieces that are Mindanao Made? Go to Mindanao Product Showroom.
The Mindanao Product Showroom has greatly helped in promoting the products and services of small and medium enterprises (SMEs) in the far south.
Display area covers all handmade products in Region 10 including decorative pieces, pottery, ethnic instruments and stoneware.
The showroom, which opened in October 2002, is held at a three-storey building along Capistrano Cruz Taal streets and is managed by the Department of Trade and Industry in cooperation with the Cagayan Oro Chamber of Commerce.
The showroom came at a time when SMEs in Mindanao were struggling financially. Now, the store has become so popular that it has become a part of some tours. Customers know that most of the items on display are not found in shopping malls in the city.
The Mindanao Product Showroom has greatly helped in promoting the products and services of small and medium enterprises (SMEs) in the far south.
Display area covers all handmade products in Region 10 including decorative pieces, pottery, ethnic instruments and stoneware.
The showroom, which opened in October 2002, is held at a three-storey building along Capistrano Cruz Taal streets and is managed by the Department of Trade and Industry in cooperation with the Cagayan Oro Chamber of Commerce.
The showroom came at a time when SMEs in Mindanao were struggling financially. Now, the store has become so popular that it has become a part of some tours. Customers know that most of the items on display are not found in shopping malls in the city.
Masskara Festival
It is Bacolod City's biggest annual event, reflecting the city's love for fun, gaiety and "the sweet life" festivities kick off with food fairs, mask-making contest, brass band competitions, beauty and talent pageants, a windsurfing regatta, drinking and eating contest, trade fairs and exhibits.
When the sugar industry of Negros Occidental dived in the 1980s, economy was in bad shape and people were seriously dislocated. People raised their spirits by encouraging people to smile. The Maskara became the symbol of their unswerving smile.
Held every 3rd weekend of October, the Festival features food fairs, mask-making contests, brass band competitions, beauty pageants, a windsurfing regatta, drinking and eating contests, trade fairs, exhibits and a mardi-gras parade.
The Maskara is celebrated with great pomp and pageantry in Bacolod also known as the City of Smiles which sees teeming crowds of tourist converge in the city for a good time.
The carnival spirit fills the air as the festival climaxes to a Mardi gras parade where revelers don elaborate masks and costumes and dance around the city to Latin rhythms Rio de Janeiro styles.
When the sugar industry of Negros Occidental dived in the 1980s, economy was in bad shape and people were seriously dislocated. People raised their spirits by encouraging people to smile. The Maskara became the symbol of their unswerving smile.
Held every 3rd weekend of October, the Festival features food fairs, mask-making contests, brass band competitions, beauty pageants, a windsurfing regatta, drinking and eating contests, trade fairs, exhibits and a mardi-gras parade.
The Maskara is celebrated with great pomp and pageantry in Bacolod also known as the City of Smiles which sees teeming crowds of tourist converge in the city for a good time.
The carnival spirit fills the air as the festival climaxes to a Mardi gras parade where revelers don elaborate masks and costumes and dance around the city to Latin rhythms Rio de Janeiro styles.
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